The interface of Media Sensate creates a ritual in which seeing is a rite of passage that may quickly become denied. The interaction with this technology of aesthetics, upon which we depend for our understanding of what is before us, provokes us to pose a question: “Is the perception of what we look upon our choice or is it an interpretation of the dimension of Media Sensate interface?”
Our agreement of what is to be interpreted before us validates this ritual while its disassociation detaches us. This space speaks of its history without uttering a word. The moment of our gaze rests upon beings of permanence, encapsulated into a timeless display. Through the mind and eyes we are invited to receive possibilities from whispers within a cradle of perpendicular planes.
Its language deciphered through history. A rite initiated from the time of the Chauvet caves. Here, instead of facing rock lighted by a flickering fire, we are illuminated through rectangles and neon. Their cores the same, both thought space and viewing space speak a language in the purity of its congregation.

The White Cave